![]() ![]() “Fake Names” takes a similar approach, going from gutter to glamour by the track’s end. ![]() The soundscape flips halfway through “Half Manne Half Cocaine,” going from pseudo-trap to a symphony of scattered cymbals. When it comes to production, the beats here are among Madlib’s best. Gibbs jumps right in on the dusty, horn-laden “Freestyle S***,” taking us back to the days “when this music s*** wasn’t movin’, man/I said I might as well be movin’ thangs.” Make no mistake, this is coke rap through and through, with Madlib’s beats serving as the background for Gibbs’ tales. Since that time, Gibbs has grown even stronger as a rapper, putting all eyes on “MadGibbs” for their sophomore outing.Īnd amazingly, everything you loved about Pinata is taken to the next level on Bandana. Gary, Indiana’s own found amazing chemistry with producer Madlib on their 2014 project Pinata, one of the more notable outings of that year. But Gibbs has never been one to disappoint. If you’re talking that big, you better deliver.
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